Towards an art practice:
-Unbound by art forms,
-That places works in the everyday life
-Where Chance is used as a way to compose
-Where uncertainty is mobilised
-That accesses ‘the secret labour and artistic work of my instincts’ (Nietzsche)
-Where the personal meet the public,
-Where autobiography is a mirror for others
-Where pedestrian movements, familiar gestures and steps form an ‘agencement’ of repeating patterns
-In a language you don’t understand
-With stripped bare, simple elements; gentle transformations of space and energy
towards waves; cycles, repetition, gradual, subtle shifts and changes to bring about
‘the realisation that at first glance we may think we’re looking at the same thing over and over
a constant, but only through careful observation can we see that things are not the same.’
-That work towards the generation of difference rather than the reproduction of the same,
-To see the familiar as strange, as distant, as outside us…
-To make us ‘un-at-home’ with the everyday thereby restores it ‘as a potential place of marvel
where we might become other than what or who we are‘
-To draw us into a space of not knowing, a space of thinking in the widest possible sense
Heterotopia..
-To test what it means to be in the world, approaching ideas of community, the role and responsibilities of the individual within a group… aka society…
-To encourage us to let ourselves be moved, questioned modified, enriched by the other…
-That always works with truths
-That makes visible human concepts and thoughts
-Where the end mirrors the beginning
-Uniting all the arts